When viewed head-on, Faris Nakamura’s spare, seemingly minimalist sculptures can appear a tad two-dimensional. But unlike works that may be more immediately attention-grabbing – and to be coarse, Instagram-friendly – his art is best experienced in person. What may not be easily evident are obscured passageways, stairways and various small nooks and crannies that can only be found through active viewing – when viewers take the time and pain to examine the works from different angles.